Monday, 23 July 2012

2012 Two Thousand Trees Festival Review


Finally! After a long wait (almost a year, would you believe it!) 2000 Trees weekend came back around again! Even weeks of torrential rain—and a campsite muddier than Buzz Osbourne’s guitar sound—couldn’t hold back the festival at the core of the U.K. underground scene from showcasing just how exciting British music is right now (unless you only listen to Radio One, of course). While there is lots else about the festival to discuss, this has been covered on previous reviews, so I shall focus mostly on the music.

Local legends I, The Lion kicked things off in the Cave on Thursday for those with early entry passes. Featuring wonderfully tight harmonies, great big guitars and super-catchy tunes, the post-punk band encompass a hint of Biffy Clyro and appear destined for great things (7.5/10).

If you haven’t heard of Tall Ships yet you need to catch up. Now. A truly unique band, their captivating live set somehow managed to interweave math-rock rhythms and a post-rock sensibility with gloriously accessible tunes and hint of the nautical. Songs like Plate Techtonics and Chemistry danced around your head while others like Books grew and built into something very, very special (8.5/10).

Cave headliners Three Trapped Tigers then mesmerised a packed out tent. Playing numbers from their first three E.P.s combined with tracks from their debut album Route One Or Die, the band put on a phenomenally tight performance. Sounding a bit like an instrumental Mars Volta on speed with a powerhouse drummer, Three Trapped Tigers are one of the most exciting bands in the country right now and at 2000 Trees, they showed exactly why (9/10).

Oxford quartet Gunning For Tamar opened the main stage on Friday with intricate math-rock guitar work, interesting time signatures and a charming yet atmospheric sound (8/10) before Maybeshewill enhanced their already epic, post-rock sound with the addition of live violin and cello parts. The guitars, synths, samples, drums and strings built into a phenomenal crescendo which left the audience gasping for more. They also played a second set in the Cave on the Saturday after Rosa Valle pulled out and concluded with the epic journey that is He Films The Clouds pt. 2. (8.5/10).

Post-hardcore mentalists Marmozets played a technically impressive set in the cave. While the stage energy was simply insane for a band as complicated as Marmozets and singer Becca Macintyre has an impressive scream, the performance just didn’t quite flow as it should. This band has a lot of potential but hasn’t quite reached it yet (7/10).

Later on, main stage headliners 65daysofstatic braved a small crowd due to horrible weather conditions to deliver an almost flawless set. Pounding sampled and live drums propelled the band forward as they strayed into the dance/rock category during Radio Protector. However, the band soon delved into their first album, The Fall of Math, on songs I Swallowed Hard Like I Understood, which twisted and developed into a gloriously satisfying resolution, while the intricate musical accomplishment Retreat Retreat was somehow captivating, dark and enchanting. Despite the rain, a superb set. Although it helps to know the songs before seeing them live (9/10).

Brother & Bones opened the main stage on Saturday and with their folky yet gritty sound which washes over you and yet always has enough of interest to keep your attention. The added dimension of a second percussionist, amongst other things, marks them out above lots of lots of generic folk bands. (7.5/10)

Back over to The Cave and post-rock/metal instrumentalists Brontide played to a packed-out tent. Their carefully crafted set was very very loud and reached a phenomenal peak during the simply epic Matador. (8/10)

Arcane Roots have as much potential as just about anyone in the U.K. underground scene right now. Drawing upon post-hardcore (At The Drive-In, Fall Of Troy), progressive (The Mars Volta, Tool) and alt. rock (Biffy Clyro) influences, the band create a uniquely exciting sound. Having played material from debut album Left Fire, combined with a number of new songs, the band sounded tighter and more chaotic than ever before. They also seem to have pioneered the charge-around-the-stage-while-finger-tapping technique, as well as knowing exactly how to write a song-a-long chorus. A short but stunning set. Mark my words, these guys are going places. You better go catch them before they go stratospheric (9/10).

Continuing his record of playing every single 2000 Trees festival, Jim Lockey delighted an overflowing Leaf Lounge (although it was a shame he didn’t play Atlases). The folk-punk troubadour is now in charge of his own record label and is definitely moving on to big things (8/10).

Then came the moment that we were all waiting for... Hundred-motherfucking-Reasons bitches. Despite the main stage space resembling a swamp rather than a field the crowd went absolutely wild and created an atmosphere that was simply magical. The mosh (read mud) pits created an incredible, communal energy and the sun even came out just as they launched into playing the whole of their first and greatest album Ideas Above Our Station. Their catchy, sing-a-long tunes grab you by the scruff of the neck but also manage to take you by surprise again and again. Sounding just as fresh and relevant as when they almost took over the entire U.K. alternative rock scene ten years ago, before they broke up, the only shame was that this was one of the only performances they will give before they call it a day for good. Catch ‘em while you can. (9.5/10)

This just left Cave headliners Future of the Left to close a very special weekend.
Grungey yet infectious punk tunes showed why 2000 Trees are so excited about this band. One of the few genuinely political bands right now, Future of the Left make you think and get you dancing at the same time. Short and sharp tunes like Sheena is a T-Shirt Salesman grab you by the scruff of the neck, while Robocop 4 – Fuck off Robocop expresses a much-needed lament on the tediousness of movie re-makes and Failed Olympic Bid discusses the presence of the Olympics as a great big distraction from real social problems. Future of the Left is a mighty and powerful band that makes sure they get their message across. However it is the simple and infectious synth riff of Manchasm that is their centrepiece and it is most effective in getting the crowd unstuck from the mud. (9/10)

Last but not least, I must mention the beautiful Greenhouse stage. Situated at the picturesque location at the bottom of the hill on the far side of the campsite, it was the perfect place to relax and watch the sun set or huddle under the canopy while it poured with rain. Featuring excellent comedians, musicians and musical comedians such as Mark Diamond, Horse and Louis, Luke Sital-Singh and Ben Marwood to name but a few, it was a wonderful place to get away from the muddy chaos and just chill the fuck out for an hour or several.

All-in-all then, another fantastic Trees weekend… a third of the price of Latitude and probably three times as good! It might be the fact that the organisers made this festival because of a genuine love of music, it might be the reasonably priced bars and the decision to allow you to take your own drinks anywhere, it might be seeing the organisers getting personally involved in pushing cars out of the mud, it might be the improvements made year-on-year, it might be the phenomenal line-up and the friendly people or it might be all of these things put together but…as I have said a hundred times, there is something quite magical about 2000 Trees Festival and I shall see you next year with bells on.

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